South
Central MediaScene 2005
- The Year In Review
Below are some of the media
developments that made the
news in 2005.
Authors
& Books
On the local writing scene,
Christine Aziz, who earlier
gave up a career as a London
health-and-lifestyle journalist
to become a Bournemouth
homeopathist, won £50K
in the Richard & Judy
"How to Get Published"
competition [Feb] for her
futuristic fantasy The
Olive Readers.
She made the papers a second
time [Nov-Dec] when she
was nominated for the Literary
Review’s annual
‘Bad Sex In Fiction’
award, and unlike most authors,
attended (‘doing my
bit for Bournemouth’),
though she didn’t
win. Bournemouth-raised
scriptwriting lecturer Louise
Tondeur based a second novel
[Oct] on local sites (Portland,
Moreton etc), The Haven
Home For Delinquent Girls,
following on her Bournemouth-set
2003 novel The
Water’s Edge
(named after a now-vanished
Boscombe hotel). Documents
obtained [Jan] under freedom
of information laws revealed
why the authorities banned,
as obscene, an earlier novel
about close female relationships,
The Well Of Loneliness,
by Bournemouth-born writer
Marguerite Radclyffe Hall.
They feared, in 1928, it
might lead to “a social
and national disaster”
by spreading awareness of
lesbianism. In memoir writing,
former Bournemouth schoolgirl
Christine “Battle-Axe”
Hamilton published For
Better or Worse, focussing
on how she and her ex-MP
husband Neil cultivated
media careers after he was
bankrupted in 1994 by lawsuits.
And in September the Bournemouth
Literary Festival
reappeared Phoenix-like,
in a new incarnation, created
this time as a private initiative,
a decade after the Council
abandoned its attempt to
emulate the Edinburgh International
Festival, and various local
writing groups had given
up on partnership arrangements.
Crime
And Mystery
In the crime and mystery
genre, there was a new book
(Supper
with the Crippens)
about Dr Crippen and his
partner (partner in crime,
some say) Ethel le Neve,
who is remembered locally
as, after she was released,
she ran what is now The
Crooked Beam Restaurant
in Christchurch.
Actor and scriptwriter Julian
Fellowes (whose Dorset country
house appeared in the 1995
film of Austen's Emma),
continued in the direction
he began with his Oscar-winning
feature script Gosford
Park by presenting
his own Friday-night prime-time
BBC1 docu-drama series re-investigating
vintage upper-crust mysteries,
Julian Fellowes Investigates,
and turned feature director
with an adaptation of A
Way Through The Woods,
an autobiographical novel
of marital intrigue by Nigel
Balchin (whose The Small
Back Room was part-filmed
in Dorset – see 'Centenaries'
below).
Famous
Five, Forever Young
Enid Blyton's Famous Five
series, many of which were
written locally, topped
a poll of the best children's
books [Dec]. A petition
was organised by Vivienne
Endecott, the owner of Ginger
Pop, a local
Blyton-souvenir shop, to
stop a new Famous Five series
as it will be a modernised
cartoon made for the international
market.
Grumpy
Old Man Dies
Novelist John Fowles died
[Nov] at his home in Lyme
Regis age 79. The usual
round of obituaries were
less than complimentary,
characterising him as a
rather puritanical miserabilist.
His sudden wealth from film-rights
sales (to The Collector,
The Magus and The
French Lieutenant’s
Woman), and his annoyance
with the resulting screen
versions, left him discomfited,
leading to his retreat into
antiquarian research and
reclusive behaviour, and
his becoming Lyme Regis’s
resident grumpy old man
(Fowles called LR 'Slime
Regis'), complaining about
being persecuted by his
readers. There was little
mention of how he had redefined
the period novel with a
contemporary sensibility
in The French Lieutenant’s
Woman.
Seen
On Screen
The region was occasionally
glimpsed on screen in 2005.
Lulworth in particular continued
to draw filmmakers. (Note
that what follows is not
intended as a complete list
of 2005 shoots - there are
always producers, such as
the BBC, who avoid publicity
re their location work to
minimise disruptions and
keep locations confidential
for possible future use.)
Lulworth Cove (portraying
California's Big Sur) was
seen last winter in Beyond
The Sea, directed by
and starring Kevin Spacey
as singer Bobby Darin; and
this Xmas Durdle Door was
seen in the Emma Thompson
children’s film Nanny
McPhee. And according
to a local tourism website,
a ‘Bollywood’
film also shot some scenes
on Bournemouth beach in
August, but no other details
were given. Montacute House,
Somerset, appeared in the
Johnny Depp vehicle The
Libertine.
The most publicised was
probably BBC’s Much
Ado About Nothing,
in their heavily-trailed
series of modernised Shakespearean
adaptations.
This was set in the studios
of “Wessex Tonight”,
which announces itself with
aerial shots of Poole Harbour.
There are also a few unidentifiable
seashore and Bournemouth-hotel
interior location scenes,
and various jokey local
references in a programme-planning
scene as to which story
should lead the evening
news - the Sturminster Newton
Festival Of Cheeses, or
the 'Weymouth Triangle'
(a lost fishing boat)? ("It's
just like All The President's
Men" comments
Benedick.)
Reality
TV
Reality
TV, a term supplanting the
earlier ‘docu-soap’
(used for the late-90s Bournemouth-based
series Dream Town),
continued to be a somewhat
perverse label for ITV shows
devoted to contrived situations.
Meridian TV’s odd
blind-date series Looking
For Love, co-sponsored
by an online dating agency,
and showing ‘contestants’
being afterwards debriefed
and counselled by a radio
DJ cuddling a small dog,
had another series, this
one set on Wight instead
of in Bournemouth-Poole.
Another local-interest ITV
series, Pets & Their
Vets, was filmed using
a local chain of veterinary
practices and pet-pamper
clinics [to be shown Jan-Feb
2006]. The May election
prompted Labour to hire
The English Patient
writer-director Anthony
Minghella (from Wight) to
produce their filmed party-political
tv spots - which according
to commentators, managed
to make Labour look foolish,
though this was presumably
unintentional.
Less contrived was a final
season of TV chef Hugh Fearnley-Whittingstall’s
charming River Cottage
series for C4, on how in
order to have a more self-sufficient
and relaxed lifestyle he
developed a Dorset smallholding
into an independent
business, the series
coming to an end with an
update-recap season, River
Cottage Forever, and
a two-part road trip.
Cashing
In, And Juggling One's Responsibilities
In royal news, Prince Edward
the Earl Of Wessex’s
royal-documentary TV production
company, Ardent Productions,
was in the headlines again
[Nov]. It came out it had
been re-floated by a mystery
‘offshore’ cash
donation of £350K
five years ago, the latest
in a series of revelations
it had been allowed to operate
outside normal rules due
to the Earl and Countess
of Wessex’s royal
status. As it had stopped
making documentaries several
years ago and had run up
£2M in debts, Ardent
is now to be wound up, the
mystery money having been
officially ‘converted’
to shares and no longer
available.
A local link appeared in
the ‘cashing-in’ fuss that
surrounded Cherie Blair’s
six-figure fees for a cancer-charity
‘fund-raising’ speaking
tour of Australia, where
she spoke on her usual theme
of women having to do a
lot of ‘juggling’ of their
responsibilities. The PR
agent behind the arrangements
(who was also deducting
a six-figure fee) was former
Bournemouth DJ and pop promoter
Max Markson, who had earlier
arranged Bill Clinton’s
speaking tour there. His
autobiography, originally
titled Show Me The Money,
described how he had established
himself down under in the
1980s through another kind
of juggling of assets –
he helped popularise the
wet T-shirt competition
in Australia.
Runaway
Production
There were a few more runaway
shoots (where a work is
not filmed locally but arguably
should be). ITV’s
new series about Agatha
Christie’s elderly
sleuth Marple (no
’Miss’ about
it, title- or concept- wise)
starring Geraldine McEwan
as Jane Marple and all-star-guest-casts
avoided using Bournemouth
as its 1980s BBC predecessor
had done for the seaside
resort ‘Danemouth’.
Dr Who returned
as a major hit on BBC1,
but there was nothing to
be seen of the Dorset quarries
that were a location favourite
in the earlier, lower-budget
pre-CGI series. And there
was yet another in a succession
of Hardy adaptations not
filmed in Hardy Country:
ITV’s Xmas drama Under
The Greenwood Tree,
filmed – for the first
time since the birth of
talkies – this time
mainly using a country life
museum on Jersey as the
Wessex country village.
Writer Ashley Pharoah explained
“I went back to
Dorset to the village it
was set in, Stinsford ...
although it was pretty clear
we couldn’t shoot
there. Jersey looks more
like Dorset did in Hardy’s
time.”
Edu-Programming
Hits Prime Time
BBC2’s
surprise-hit documentary
series of the summer, Coast,
had several local-interest
segments (on Poole Harbour,
Studland’s nudist
beach, and the Jurassic
Coast). That it was a hit,
beating out both C4’s
Big Brother and
Ricky Gervais’s new
BBC series in the ratings
surprised many as it was
actually an “educational”
programme, and thus went
against conventional tv-executive
wisdom the public is not
interested in education.
It was actually a co-production
with the Open University,
part of their new brief
to produce shows that can
be aired in ‘normal’
viewing hours – as
opposed to the graveyard
slot the OU has had since
it began on BBC2 in the
1970s. The BBC had in fact
decided that even with the
possibility of taping off-air,
BBC2 should be concentrating
more on documentary and
less on ‘light entertainment’.
The coverage in The
Times noted that thousands
had signed up for the guided
coast walks advertised at
the end of each episode.
(The series website, with
walking guides, is here.
Centenaries
The
100th anniversary of the
birth of director Michael
Powell, whose inspiration
to other directors (such
as Martin Scorcese) is commemorated
annually via The Michael
Powell Award, was celebrated
nationally with a programme
of film showings and radio
and tv documentaries. (Powell
grew up partly in Poole
and the New Forest, returning
to the area to stay in 5-star
hotels, and filming the
classic bomb-defusing finale
of The
Small Back Room
on Chesil.)
Another centenary [June]
was that of the birth of
Shaftesbury-born actor Robert
Newton, which was commemorated
by a blue plaque there.
Newton's enduring popular
legacy of course remains
his classic Long John Silver
character, for which he
drew on his youthful familiarity
with West Country accents.
His eye rolling, 'r' rolling,
interpretation is still
the subject of many imitations
and pantomime caricatures
of the 'Arrrr Jim me-lad'
type, but is not generally
understood. His great innovation,
just a few years before
he died of alcoholism, was
to utilise the antiquarian
West Country speech idiom
that was dying out but that
he had grown up around,
for his irascible pegleg
sea-dog, Silver. (If you
want to see an authentic
example, courtesy of tribute
site Mooncove.com,
hover your mouse on the
image.)
Never
Give Up Till The Fight Is
Done
Southampton-born veteran
maverick film-maker Ken
Russell, 78, who had filmed
in the area since the 60s,
was in the news because
of his refusal to accept
the end of his career after
winning a lifetime-achievement
award in Istanbul. He was
seen in BBC One's Ken
Russell - A Picture of The
South [June], where
he revisited locations he
had used across the region,
from Larmer Tree to Portsmouth
to Wight, and was interviewed
at his New Forest home,
where he lives with his
4th wife (whom he met via
the internet). He told how
he had been unable to get
his scripts produced and
been reduced to shooting
films using a hand-held
digital camera, such as
his straight-to-DVD The
Fall Of The Louse Of Usher.
The title, which is not
a misprint, offered a clue
as to why he can’t
get commercial backing,
the clips of this and other
recent works showing that
he had become a self-caricature
of his earlier enfant
terrible persona, now
doing schoolboy sendups
of his distinguished earlier
arts-documentary work, from
which clips were also shown.
Debuts,
Discoveries & Retrospectives
The latest in a line of
ex-Sherborne School pupils
found screen success, following
in the footsteps of John
Le Mesurier, Jeremy Irons
et al, in a role previously
played by Brando. Somerset-born
James Purefoy, seen last
year in ITV’s The
Mayor Of Casterbridge,
played a Marc Anthony who
was not a tortured idealist
as with Brando in Shakespeare’s
Julius Caesar,
but a sardonic, not-too-bright
hedonist who could still
be a dangerous political
adversary, in HBO/BBC’s
big-budget drama serial
Rome - a 2nd series
of which is be shown in
2006.
Another Bournemouth schoolboy
was chosen straight out
of school (as Christian
Bale was for Empire
Of The Sun), and was
hired -- after losing the
chance to play young Hannibal
Lecter -- to portray Euan
Blair in the upcoming feature
The Queen (starring
Helen Mirren as HM).
BBC’s Xmas TV bonanza
included retrospective coverage
of a couple of earlier,
now deceased, celebrities
who spent their boyhood
in Bournemouth. There were
a pair of documentaries
on Tony Hancock, and a new
one-off dramatisation of
Gerald Durrell’s humorous
expat-childhood memoir My
Family & Other Animals
(which BBC
had adapted as a series
in 1987), followed by a
BBC Four documentary profile
of Durrell.
And after receiving his
knighthood from the Queen,
actor Sir David Jason at
his press call outside the
Palace mentioned [Dec] that
originally he had been ‘discovered’
as a talent in the 1960s
while performing in an end-of-the-pier
show in Bournemouth.
Madonna
Unseated
Press coverage of the past
two years on how the pop
and film star turned children’s
writer Madonna has reinvented
herself as a lady-of the-manor
country sportswoman got
an unexpected boost in August.
She and her husband, film
director Guy Ritchie, had
purchased a 1,132-acre country
seat at Ashcombe House near
Tollard Royal on the Dorset-Wilts
boundary, and had just fought,
and largely won [May], a
court battle to keep the
public off the estate to
use it exclusively for private
shooting, and riding. While
celebrating her 47th birthday,
she fell off her horse and
broke various major bones,
though recovering by year’s
end.
Curse
Of The Furry Things?
There
was an odd story re Wallace
and Gromit’s debut
feature (after 3 shorts),
The Curse of the Were-Rabbit
– did it have its
own curse? National press
coverage [Oct] was generated
when locals on Portland
objected to the word ‘rabbit’
on posters, as it was taboo
due to an ancient superstition,
the locals using euphemisms
like "furry things".
But the exhibitors declined
to change the posters or
title (‘Curse of The
Were Furry Things’
does lack a certain something).
When the film opened in
Weymouth, the curse struck
– the film broke and
melted, and the showing
had to be cancelled, generating
more coverage. The entire
warehouse containing Ardman’s
props also burnt up.
In
Development
A local-interest feature
film was announced [June]
on the rise, fall and recovery
of an amphetamine addict,
based on the memoir Addict
by Stephen Smith, who in
the late 1970s went from
London high life to sleeping
rough in Boscombe. The project
had in fact been announced
before, in the late 1990s,
but the signing-up of Johnny
Depp as star and Andy Serkis
(Gollum and King Kong) as
director put it back in
the news. A sequel to the
successful 1998 Cate Blanchett
film Elizabeth
focussing on her onetime
favoured courtier the Sherborne
MP Sir Walter Raleigh, played
by Clive Owen, is in the
making; the 1998 film used
Athelhampton and Montacute
among its many stately-home
locations. Pierce Brosnan,
who named his son after
the poet Dylan Thomas, is
financing Caitlin,
on Dylan’s stormy
marriage, with Miranda Richardson
as Caitlin. Their first
home together was actually
at Fordingbridge on the
edge of the New Forest –
though of course this may
turn into another runaway
production, shot in Ireland.
David Frost announced he
was remaking The Dam
Busters, a story with
several local connections
(e.g. the bomb was tested
at Chesil Beach). The fact
2006 is the centenary of
the birth [Aug] of Poet
Laureate John Betjeman (who
had various local connections)
means a series of radio
and tv documentaries will
now be in development for
next summer, some no doubt
incorporating his own witty
and charming b&w architectural
documentaries.
Publishers
Cut Back
In publishing, the area’s
largest magazine group,
Bournemouth-based Highbury
Entertainment Ltd, which
earlier took over the Paragon
group, and publishes around
30 IT-consumer magazines,
announced [Dec] it was in
financial difficulty due
to over-expansion, and the
fact its planned sell-off
to Future Publishing was
blocked by the OFT, and
some local staff jobs were
now in question. Its executive
chairman, former Sun
editor Kelvin MacKenzie,
resigned before Xmas after
he was unable to resolve
the crisis.
The
Best And Worst Venues Win
Awards
Highcliffe’s 5-star
Chewton Glen Hotel, where
film stars such as Minnie
Driver and Cate Blanchett
and other VIPs stay (Sunday
Times restaurant critic
Michael ‘Death Wish’
Winner often mentions it),
was voted [Oct] by Conde
Nast Traveller magazine
as best in Britain, and
2nd-best in the world, although
the Daily Mail’s
"An Inspector Calls"
mystery hotel-guest columnist
promptly rubbished it as
dowdy.
Voted
the worst, and a candidate
for demolition in the public
interest, was Bournemouth’s
Waterfront building. This
contains the closed-down
Sheridan IMAX cinema, now
only open to suggestions
as to future use as a venue
– hotel, casino, swimming
pool, ice rink? This depressing
five-year saga had just
ended predictably with news
[Oct] of its being foreclosed
by its leaseholders (for
failing to re-open once
again), when it featured
on C4’s Demolition
[Dec]. In this Saturday-night
TV series polling the ugliest
buildings in Britain, Janet
Street-Porter was bussed
in to gawk at it with horror
at how it looms over the
Pier approach, spoiling
the view of the bay, which
won it the title Worst Building
In England.
Another form of anticipated
demolition failed to materialize.
In November, press photographers
from around England converged
on Bournemouth town centre,
after drunken street rioting
was predicted in England’s
‘Clubland’ capital when
24-hour drinking came into
effect.
What
Has The Da Vinci Code Ever
Done For Us?
The most interesting ‘non-story’
was how what is called eso-tourism
or Esoteric Tourism has
failed to develop locally.
This is the latest variation
of the fad for ‘set-jetting’
--where people visit locations
of films or novels they’ve
enjoyed. Eso-tourism, inspired
by novels like The Da
Vinci Code, with visits
to ‘esoteric’
or mysterious sites involving
Knights Templar etc, failed
to happen here, despite
the region possessing a
wealth of mystery sites
and associated legends....
****
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